Spanish , 1643-1695   Related Paintings of Juan de Sevilla romero :. | the Fruhstuck | Le Moulin de Blute-Fin (nn04) | Scenes of the Life of St Nicholas | Prince Ulrik | Still Life with Flowers |
Related Artists:
George Loring Brown
American Hudson River School Painter, 1814-1889,American painter and illustrator. He was apprenticed at about 14 to the Boston wood-engraver Alonzo Hartwell and had produced scores of illustrations by 1832, when he turned to painting and sailed to Europe for further training. After brief stays in Antwerp and London, he settled in Paris, where he was admitted to the atelier of Eugene Isabey. Returning to America in 1834, Brown produced illustrations, portraits and landscapes. He travelled throughout the north-eastern USA, sketching in watercolour and in oil.
Giottino
1325-1370 Italian Giottino Gallery was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father was himself a celebrated painter; his naturalism earned him the appellation "Scimia della Natura" (Ape of Nature). He instructed his son, who applied himself with greater predilection to studying the works of the great Giotto. Since he formed his style on Giotto's works, Maso became known as Giottino. The frescoes in the chapel of San Silvestro in the Florentine Basilica of Santa Croce are attributed to Giottino; these represent the miracles of Pope St Sylvester as narrated in the "Golden Legend". A large number of other works have been attributed to Giottino including Apparition of the Virgin to St Bernard and a marble statue erected on the Florentine campanile.
Bernardo Cavallino
Italian Baroque Era Painter, ca.1616-1656 was an Italian painter of the Baroque period, working in Naples. Born in Naples, he likely died during the plague epidemic in 1656. While his paintings are some of the more stunningly expressive works emerging from the Neapolitan artists of his day, little is known about the painter's background or training. Of eighty attributed paintings, less than ten are signed. He worked through private dealers and collectors whose records are no longer available. It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony Van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolome Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary. He is known to have worked in Neapolitan circles strongly influenced by Stanzione, which included Artemisia Gentileschi, Francesco Francanzano, Agostino Beltrano and Francesco Guarino. One of his masterpieces is the billowing maiden Virgin at the Brera Gallery in Milan. Passive amid the swirling,